Note: this mansion was built - but did not survive long; several similar houses in that neighbourhood, including Taplow Court, show the Rothschild influence.

REGINALD BELL 1884 - 1950 of the Clayton & Bell Studio extant 1856 - 1993

Three cartoons for the Playroom, Canterbury Hospital, Kent:

2. Airship 1937, 17in high 27in wide.

3. Charioteer 1937, 17in high 25.5in wide.

4. Circus Monkeys 1937, 17in high 30in wide.

ROBERT ANNING BELL RA RWS 1863 - 1933

5. Angels with trumpets with Christ in Majesty, a design for a single light window signed, 12.5in high 4.5in wide. Illustrated left.

6. Saints, including St Frideswide, St Luke and others, a cartoon for a window in pencil and watercolour, c 1905, 70in high 16in wide. Illustrated left.

I

JOHN CHARLES BEWSEY working 1906 - 1930s, d 1940

7. WWI memorial a 5-light design for St Mark, Harlesden, London exhibited RA 1920, signed. “A thank offering by returned soldiers” largest light 16in high 2.25in wide.
Note: this window was never made; but a 3-light window by Bewsey on the South side of the church exists.

8. Virgin and Child, a 3-light design for the east window, Guildford School Chapel, West Australia, signed, each light 11in high 2.5in wide. Illustrated page 6

WALTER HERBERT CAMM 1881 - 1967.

9. Flying Dutchman c1914, 33in high 38in wide.

10. Tournament c1914, 33in high 38in wide.

Two cartoons for windows in Midfield (now a school), Midlothian; architect Robert Lorimer. Son of the founder of the Camm studio in Smethwick, near Birmingham, Walter Camm’s work epitomises the Arts & Crafts style.

CLAYTON & BELL studio extant 1856 - 1993

11. Quarry patterns, a cartoon for Chepstow 1933, 13in high 21in wide; provenance Farrar Bell family.

12. Sir Philip Sidney, a 3-light window design for Ridley College, Canada, 10in high 3.5in wide.

13. Saints Katharina, Helena, Cecilia, a 3-light window design, overall 3in high 4.5in wide.

14. Little St Hugh of Lincoln, window “at Windsor” a cartoon of the famous boy martyr - showing Lincoln Cathedral, 35in high 12 in wide.

JOAN M CLEBURNE working mid 20th century

15. Architectural design for a screen, signed and dated 1961, 6in high 9in wide.

16. “Forgive them…”, a design for window c1960, 13in high 3.5in wide.

KATHARINE MAUDE COGGIN working in the 1890s

17. A design for a cup in silver. Reproduced in Studio Volume 14, p263, August 1898, 17in high 11in wide.

18. Design for cup in silver; both signed and stamped ESK, 17in high 10in wide (exhibited South Kensington).

WALTER CRANE RWS 1845 - 1915

19. Nuremberg, a costume design, signed with pictogram, for Beauty’s Awakening - the Art Workers Guild pageant of 1899 12in high x 10in wide - offered with a copy of the book, a special number of The Studio.  Illustrated left.

LOUIS B DAVIS 1851 - 1941

20. St George, a 3-light window in St George, Foxley, Wiltshire; signed with monogram, overall 7.5in high 4.5in wide.
Note: Louis B Davis was a most successful and influential stained-glass artist of the Arts & Crafts movement and much in demand in both England and Scotland, where he was Lorimer’s favoured artist - hence his many Scottish windows .Illustrated left.

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