|
"To enjoy the full impact of the paintings of Herbert
Kitchen we must be prepared to follow deep into his visions, into a lonely world
which reveals in unexpected ways the process of its formation and contains signs
of its primitive origins.
We realise that this synthesis has happened by the
accumulation of layers of strata, by the clothing of a core, which may consist
of fire and brimstone or a liquid and sensitive life-blood, with successive
skins. This slow process of the hardening of the crust of the earth resembles in
principle the healing of wounds and the seasonal thickening of the growing tree
trunk.
The vast expanse of wilderness shown to us by Kitchen, arid and endless beneath
the empty vault of outer space, are incised with long unruffled lakes that
reclaim the light of the sky, a marriage of earth and water that would appear to
remain sterile were it not for the dramatic intrusion from below of vertical
phallic monuments. The also are built of strata but unlike the inanimate
formations of the plain they bring with them a flow of life from unseen depths.
They initiate a vertical principle in this embryonic universe. Life has broken
through the horizontal rock formations. The strata of these megaliths has become
the grain of trees providing the channels for the upward and downward movement
of sap, the geyser and the waterfall flowing through the compact filament of
vegetal growth, as neatly packed together as those petals we find in each
section of a flower bud.
Kitchen has watched the process of growth in the earth and
in the plants to which it gives birth. He has noted it faithfully in drawings
that are astounding in their perception and accuracy. His concentration on the
fundamental drama of the prostrate and the erect and the fecund conflict this
must produce results in a work of formalised eroticism and a solemn static image
of persistent growth. His painting convinces us admirably of the presence and
strength of the internal hidden impulses of life. They contain a combination of
exceptional qualities, being highly personal and yet of universal significance".
Roland Penrose
- London, January 1973
© Roland Penrose Estate, England 2007. All rights
reserved.
View full catalogue
View Bert Kitchen's Original Illustrations from: “AND SO THEY
BUILD” - Published by Walker Books
BERT KITCHEN (1940 - LIVERPOOL, ENGLAND)
1951 - 56 Rochdale Grammar School
1956 - 58 Rochdale School of Art
1958 - 61 London Central School of Arts & Crafts
1961 - 1964 Lecturer, Central School of Arts & Crafts
1964 - 1991 Lecturer, City of London Polytechnic
Exhibitions
1961 Mixed show of Paintings Beau Arts Gallery, London
1962 Group Thirteen Congress House, London
1963 Two-man show St Martins Gallery, London
1966 Fantasy & Figuration Institute of Contemporary Arts, London
1969 Young and Fantastic ICA London, New York and Toronto
1971 Der Geist des Surrealism Baukunst Gallery, Colonge
1973 One-Man Show Archer Gallery, London
1973 Kunstler aus England Baukunst Gallery, Colonge
1974 New Image in Painting First Biennale, Tokyo
1974 Zehn Jahre Baukunst Baukunst Gallery, Colonge
1975 Arts Festival Portsmouth, England
1976 Deck of Cards JPL Gallery, London
1978 Fantasy & Synonyms Artists Market, London
1978 A Print is Born Commonwealth Institute, London
1978 Surrealism Unlimited Camden Arts Centre, London
1979 One-Man Show JPL Gallery, London
1991 One-Man Retrospective Smith’s Gallery, London
1995 One-Man Show The Hyde Park Gallery, London
Award: Chicago & Illinois Cassandra Foundation Award, 1969.
Paintings in the Collection of Sir Roland Penrose and many other private collections.
Painter, designer, illustrator and teacher, born in
Liverpool
, who gained a diploma in design at Central
School
of Arts & Crafts. He was a part-time lecturer there, 1961-64, and at City
of London Polytechnic, 1964 – 92. Kitchen is noted for his versatility, completing textile designs
for Edinburgh Weavers, animation films for BBC and London Weekend Television;
background paintings for feature and television films; illustrations for Cape,
Collins, Kestrel and other publishers; artwork for advertising
agencies; and regular illustrations for Private Eye magazine, 1969 – 93. Awards include the Chicago &
Illinois Cassandra Foundation Award (Painting), 1969; International Graphics,
First Prize, Fiera di Bologna, and included in the honours list of the Critici
in Erba, Bologna, both 1988; and Gold Medal for Illustration, Society of
Illustrators, New York, 1991. Mixed shows include Beaux Arts Gallery, 1961; Der
Geist des Surrealismus, Baukunst Gallery, Cologne, 1971; First Tokyo Biennale, New Image in Painting, 1974; Deck of Cards, JPL
Gallery, 1976; and Surrealism Unlimited, Camden Arts Centre, 1978. Had a solo
show at Archer
Gallery
in 1973, later ones include a retrospective at Smith’s Gallery, 1991. From
1984 Kitchen wrote and illustrated a series of his own books. Lives in
London
.
David Buckman - Dictionary of British Artist.
Back to Home page
Back to Art Gallery
|