Above: Reeds with Red Tree
'Enticing, dream like and frequently puzzling, these intense, scratchy images demand your attention’
Henrietta Wilkinson
Without doubt one of the major forces in the South African art and education establishments during the 1950’s and 60’s Cecily Sash came to England like so many South Africans of that era who painfully removed themselves ‘from the climate of repression and conflict...so keenly felt by those who found apartheid
abhorrent and stifling’.
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