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“And then I descended unto the dining-room, …………… the kind
of room in which you could start a Sunday lunch and find yourself still
listening to your uncle talking about his skiffle band at one in the morning. I
was charmed before I'd even seen the menu…..” Zoe Williams.
The dining room has existed for centuries; from the Great
Halls of the Middle Ages to the more modest kitchen-diners of modern city
apartments we have always needed a place to meet, eat and entertain. In the
1970s along with the short-lived fashion for minimalism, apartments were built
without a dining room and only a token kitchen with no more than a toaster, a
kettle and a microwave. Pre-prepared foods are readily available in supermarkets
and food is often consumed in front of the TV. However, with the increase in
international travel and several television programmes teaching cooking skills,
more and more people are realising the pleasure of preparing their own food and,
in particular, sharing it with friends and family round a common table in a
dining room. This exhibition concentrates on a range of furniture that filled
the dining rooms of the ever popular Arts & Crafts Movement from 1890 to 1935
with examples of the work of several of the leading designers and makers of the
period including Baillie Scott, The Glasgow School, Liberty, the Cotswold School
and Ambrose Heal. It is complemented by an appetising collection of paintings of
food by modern and contemporary artists starting with Sir Peter Blake and ending
with Alfred Wolmark. Dining together gives an opportunity for conversation
between family members and friends that is so often not possible at other times.
The room is furnished with a dining table and a number of dining chairs; in this
catalogue we have both rectangular and circular tables with arm and side chairs.
Sideboards and dressers provide the storage space for crockery, cutlery and,
quite often wine - the Baillie Scott Dresser, exhibit 1, is fitted with a
revolving wine rack in one of its cupboards. Wine is a great accompaniment but
not essential for the complete meal although W C Fields did comment: “Once,
during Prohibition, I was forced to live for days on nothing but food and
water.” Front cover exhibits 16, 15 & 49.
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